Monument to Reproduction, 2023, 104 x 8 x 8 in, tin, maple, copper, slate, steel, brick, threaded rod and fasteners.
Monument to Reproduction (Detail), 2023, 104 x 8 x 8 in, tin, maple, copper, slate, steel, brick, threaded rod and fasteners.
Monument to Reproduction (Detail), 2023, 104 x 8 x 8 in, tin, maple, copper, slate, steel, brick, threaded rod and fasteners.
Monument to Reproduction, 2023, 104 x 8 x 8 in, tin, maple, copper, slate, steel, brick, threaded rod and fasteners.
Power Prints (Experimentation), Monotype, Pochoir, 19.5 x 27.5in, 2022
Power Prints (Multiplicities), Monotype, Pochoir, 19.5 x 27.5in, 2022
Power Prints (Openness), Monotype, Pochoir, 19.5 x 27.5in, 2022
Power Prints (Together), Monotype, Pochoir, 19.5 x 27.5in, 2022
Installation of What a Long Strange Trip, Group show Analog Diary, 2022
Memory Palace (Drawing in Space), 2022, 18 x 5 x 5 in, brass, Group show at David Petersen Gallery
Memory Palace (Lobby), Intaglio and Watercolor Monotype on paper, 30 x 22 in, 2019, at Group show at David Petersen Gallery
Vayyyyyyyyyyyse, 2015, 14 x 13 x 18 in, ceramic, Group show at David Petersen Gallery
Power Pose Sculpture, soldered brass, 2020 at Anarchy of the Imagination curated by Ryan Foerster at Kerry Schuss Gallery
Installation of Power Pose Sculpture, soldered brass, 2020 at Anarchy of the Imagination curated by Ryan Foerster at Kerry Schuss Gallery
Something About the Shortest Distance, at Peep Projects, with Bea Parsons, 2021, Silk and Brass, 70 x 30 x 20 in.
Something About the Shortest Distance, at Peep Projects, with Bea Parsons, 2021, Silk and Brass, 70 x 30 x 20 in.
Something About the Shortest Distance, at Peep Projects, with Bea Parsons, 2021, Silk and Brass, 70 x 30 x 20 in.
Something About the Shortest Distance, with Bea Parsons, 2021, Silk and Brass, 70 x 30 x 20 in.
Something About the Shortest Distance, with Bea Parsons, 2021, Silk and Brass, 70 x 30 x 20 in.
Something About the Shortest Distance, with Bea Parsons, 2021, Silk Detail of Installation.
Memory Palace (Fire Escapes), 2020, Brass wire, small brass rods, brass sheets, 24 x 5 x 5 in
Memory Palace Castle (Cornell Print), 2019, Intaglio and Watercolor Monotype on paper, 30 x 22 in
Memory Palace Fountain (Cornell Print), 2019, Intaglio and Watercolor Monotype on paper, 30 x 22 in
Memory Palace Garden (Cornell Print), 2019, Intaglio and Watercolor Monotype on paper, 30 x 22 in
Memory Palace Landscape (Cornell Print), 2019, Intaglio and Watercolor Monotype on paper, 30 x 22 in
Memory Palace Lobby (Cornell Print), 2019, Intaglio and Watercolor Monotype on paper, 30 x 22 in
Memory Palace (Tower Symbols), 2020, Brass wire, small brass rods, brass sheets, 39 x 5.5 x 5.5 in
Memory Palace (Ladder to Nowhere), brass wire small rods, 20 x 5 x 5 in
Installation Memory Palace, Franz Kaka (Toronto), 2020, intaglio and watercolor monotype prints, brass sculptures, dims variable
Leaping over the Candlestick, 2020, brass and candle, dims variable
Leaping over the Candlestick, 2020, brass and candle, dims variable
Leaping over the Candlestick, 2020, brass and candle, dims variable
Movement VII, Ceramic and brass, dimensions variable, 2019
Great Maquette XI, chine-collé, 54.5 x 54.25 in
Calendar Oeuvre, January, 2018, water and salt on steel, 12 x 12 in
Calendar Oeuvre, February, 2018, silkscreen on steel, 12 x 12 in
Calendar Oeuvre, March, 2018, photo transfer on steel, 12 x 12 in
Calendar Oeuvre, April, 2018, silkscreen on steel, 12 x 12 in
Calendar Oeuvre, May, 2018, silkscreen on steel, 12 x 12 in
Calendar Oeuvre, June, 2018, silkscreen and chine collé on steel, 12 x 12 in
Calendar Oeuvre, August, 2018, hand wiped ink and paint on steel, 12 x 12 in
Calendar Oeuvre, July, 2018, silkscreen on steel, 12 x 12 in
Calendar Oeuvre, September, 2018, silkscreen on steel, 12 x 12 in
Calendar Oeuvre, October, 2018, etched steel and ink, 12 x 12 in
Calendar Oeuvre, November, 2018, silkscreen on steel, 12 x 12 in
Calendar Oeuvre, December, 2018, cyanotype on steel, 12 x 12 in
11:44 and 12:41, cyanotype on silk, brass, 70 x 30 x 20 in
Installation at Scrap Metal (Toronto), 2017, brass and cyanotype on silk, dims variable
When is it?, 2017, 7 slide projectors, slides, carousel, timer, dimensions variable
Near Future, Recent Past, 2016, video, 9m, 10s
When is it?, 2017, 7 slide projectors, slides, carousel, timer, dimensions variable
When is it?, 2017, 7 slide projectors, slides, carousel, timer, dimensions variable
Roman Numeral VII, 2016, watercolor monotype with artists’ frame, 40 x 27.5 inches
Roman Numeral III, 2016, watercolor monotype with artists’ frame, 40 x 27.5 inches
Eyes for Melotti, 2016, brass, H 15 x W 9.75 x D 9.75 inches
Time for Melotti, 2016, brass, H 15 x W 10 x D 10 inches
Seven, 2016, brass, 39 x 23 in.
Twenty Four, 2016, brass, (2) 40 x 25 in (4) 44 x 26 in,
Three Sixty Five, 2016, brass, (3) 43.5 x 24 in (6) 43 x 23 in (5) 40 x 19.5 in,
Movement IV (Detail), 2016, Chine Colle, 120 x 48 in
Movement IV, 2016, Chine Colle, 120 x 48 in
Vayyyyyyyse, 2015, ceramic, 12 x 6 x 4 in
Vayyyyyyyyse, 2015, ceramic, 14 x 13 x 7 in
Aimless Clock, 2015, brass and marble, 8 x 8 inches
Directionless Clock, 2015, brass and marble, 8 x 8 in
Monument to Chronology, 2015, copper plates, wood, etching ink, steel rod, concrete slab, paper, copper leaf, silkscreen ink, paint, 104 x 8 x 8 in
Faint Collapse (sunbathing in Turin)(detail), 2014, ceramic, 6 x 48 x 84 in
Faint Collapse (sunbathing in Turin), 2014, ceramic, 6 x 48 x 84 in
Faint Collapse (sunbathing in Turin), 2014, ceramic, 6 x 48 x 84 in
No, cyanotype printed on silk, each letter 34 x 45 in (shown at Parapet Real Humans)
Yes, cyanotype printed on silk, each letter 34 x 45 in (shown at Parapet Real Humans)
Maggie Wells Video, 2014, video, 5m 25sec
Foggy Self III, 2014, etched glass and mirror, 42 x 60 in
Freud Iceberg Slideshow, 2014, slide projector, slides, letterpress on paper, dimensions variable
Clear Face, 2014, brass and marble, 13 x 6 x 5 in
Ear Face, 2014, brass and marble, 13.5 x 7 x 7 in
Sad Eye Face, 2014, brass and marble, 13 x 5.5 x 5.5 in
M was a quiet man who liked his books, 2014, photogram, 5 x 7 in
L liked to work with concrete, 2014, photogram, 5 x 7 in
A for Apple, 2014, Photogram, 11.6 x 8.2 in
B for Banana, 2014, Photogram, 11.6 x 8.2 in
G for Grape, 2014, Photogram, 11.6 x 8.2 in
Everyone is Everyone (Artist), 2014, 17 part print, letterpress, silkscreen and chine collé on paper, 11.5 x 14 in
Everyone is Everyone (Visionary), 2014, 17 part print, letterpress, silkscreen and chine collé on paper, 11.5 x 14 in
Everyone is Everyone (Protector), 2014, 17 part print, letterpress, silkscreen and chine collé on paper, 11.5 x 14 in
Everyone is Everyone (Key), 2014, 17 part print, letterpress, silkscreen and chine collé on paper, 11.5 x 14 in
Everyone is Everyone, 2014, 17 framed works, letterpress, silkscreen and chine collé on paper, each at 12.5 x 16 in
Movement III (Detail), 2014, Chine Colle Print, Japanese paper, wheat paste, 180 x 72 in
Movement III, 2014, Chine Colle Print, Japanese paper, wheat paste, 180 x 72 in
Untitled, 2014, Chine-Colle on Paper, 28 x 19.5 in
Untitled, 2014, Chine-Colle on Paper, 28 x 19.5 in
Untitled, 2014, Chine-Colle on Paper, 28 x 19.5 in
Who You at Room East, Find Them, 2014, etched copper plates, 72 x 54 in
Find Them, 2014, etched copper plates, 72 x 54 in
The Built Environment, 2014, Installation with Josh Tonsfeldt’s work
Vayyyse, 2014, Ceramic with Flower Arrangement, 12 x 6 x 5 in
B was a painter and kept a bunch of objects around her studio that she could potentially paint, 2014, photogram on paper, 8 x 10 in
Install of __________. two person with Sebastian Black, 2013, dimensions variable
Vayse, 2013, ceramic + flower arrangement, 20 x 14 x 13 in
T, 2013, Cyanotype on Paper, 8 x 10 in
Ribless, 2013, ceramic with metal stand and wood base, 22.5 x 13 x 12 in
K, 2013, Cyanotype on Paper, 8 x 10 in
Low Woe Toe, 2013, ceramic with metal stand and wood base, 15.5 x 5.5 x 5.5 in
Q, 2013, Cyanotype on Paper, 8 x 10 in
The Gold Debacle, 2013, ceramic with metal stand and wood base, 13 x 6 x 6 in
F, 2013, Cyanotype on Paper, 8 x 10 in
The Audacious Escape, 2013, ceramic with metal stand and wood base, 16 x 10 x 8 in
A-Z (Q), 2013, Brass and magnets, 8 x 10 in
A-Z (F), 2013, Brass and magnets, 8 x 10 in
Untitled, 2013, Chine-Colle on Paper, 28 x 19.5 in
A-Z (D), 2013, Brass and magnets, 8 x 10 in
Ere hypocrisies or poses are in, my hymn I erase. So prose I, sir, copy here., 2013, slideshow with cyanotypes, dimensions variable.
The Let Down, 2013, ceramic with metal stand and wood base, 13.5 x 4.5 x 7 in
E, 2013, Cyanotype on Paper, 8 x 10 in
Installation of Sense and Sensibility, 2013, curated by Chris Sharp, at SpazioA, Pistoia, Italy
The Dashed Misconstrue, with fruit, 2013, ceramic, 5.75 x 10 x 2.5 in
Untitled, 2013, Chine-Colle on Paper, 28 x 19.5 in
For Jan, 2012, welded metal, 8 x 11 in
Still Life, 2012, three 16mm Short Films in collaboration with with William Santen, 16mm transferred to Digital
Still Life, 2012, three 16mm Short Films in collaboration with with William Santen, 16mm transferred to Digital
Injury – Shoulder, 2012, Ceramic, metal and pine stand, 13 x 9 x 7 in
Non-Reversing Mirror, 2012, aluminum 6061, plexiglass, monofilament, letterpress on paper, 5.9 x 5.9 in
Movement II (Detail), 2012, Chine Colle Print, Book Page, Japanese paper, wheat paste, 72 x 108 in
Movement II, 2012, Chine Colle Print, Book Page, Japanese paper, wheat paste, 72 x 108 in
Injury – Shoulder, 2012, Ceramic, metal and pine stand, 13 x 9 x 7 in
Still Life, 2012, three 16mm Short Films in collaboration with with William Santen, 16mm transferred to Digital
Protrusions—Shelf, 2012, Book Page, Black American Walnut, Nails, Glue, Dimensions Variable
Still Life with Triple Process Hair, 2012, slides, slide projector, typeset book page
Still Life with Triple Process Hair (Detail), 2012, slides, slide projector, typeset book page
Untitled, 2012, Chine-Colle on Paper, 28 x 19.5 in
Protrusions—Shelf (Detail), 2012, Book Page, Black American Walnut, Nails, Glue, Dimensions Variable
Mise-en-Abyme, 2012, whitewash on mirror, 22 x 24.5
Yves Klein Video, 2012, with typeset book page, and headphones, dimensions variable
Jean-Pierre Léaud Slideshow, 2012, slide projector, slides, typeset book page
Lack, 2011, bronze casting with book page, 3 x 3 in
Jean-Pierre Léaud Slideshow, 2012, slide projector, slides, typeset book page
Monument for Pedagogy, 2012, Wood Boxes, Chalkboard Paint, Silkscreen Ink, Chine-colle, linseed oil, glue, fake orange, Dimensions Variable
Heavy Heart, 2012, meteorite, performance
Untitled Drawing, 2012, oilstick on paper, 33 x 40 in
Drawing While Walking III, 2012, oilstick on paper, 33 x 40 in
Paper Stack II, 2012, shown at Clearing, 7000 Sheets of Red Paper, Brick