11:44 and 12:41, cyanotype on silk, brass, 70 x 30 x 20 in

Installation at Scrap Metal (Toronto), 2017, brass and cyanotype on silk, dims variable

When is it?, 2017, 7 slide projectors, slides, carousel, timer, dimensions variable

Near Future, Recent Past, 2016, video, 9m, 10s

When is it?, 2017, 7 slide projectors, slides, carousel, timer, dimensions variable

When is it?, 2017, 7 slide projectors, slides, carousel, timer, dimensions variable

Roman Numeral VII, 2016, watercolor monotype with artists’ frame, 40 x 27.5 inches

Roman Numeral III, 2016, watercolor monotype with artists’ frame, 40 x 27.5 inches

Eyes for Melotti, 2016, brass, H 15 x W 9.75 x D 9.75 inches

Time for Melotti, 2016, brass, H 15 x W 10 x D 10 inches

Seven, 2016, brass, 39 x 23 in.

Twenty Four, 2016, brass, (2) 40 x 25 in (4) 44 x 26 in,

Three Sixty Five, 2016, brass, (3) 43.5 x 24 in (6) 43 x 23 in (5) 40 x 19.5 in,

Movement IV (Detail), 2016, Chine Colle, 120 x 48 in

Movement IV, 2016, Chine Colle, 120 x 48 in

Vayyyyyyyse, 2015, ceramic, 12 x 6 x 4 in

Vayyyyyyyyse, 2015, ceramic, 14 x 3 x 7 in

Aimless Clock, 2015, brass and marble, 8 x 8 inches

Directionless Clock, 2015, brass and marble, 8 x 8 in

Monument to Chronology, 2015, copper plates, wood, etching ink, steel rod, concrete slab, paper, copper leaf, silkscreen ink, paint, 104 x  8 x 8 in

Faint Collapse (sunbathing in Turin)(detail), 2014, ceramic, 6 x 48 x 84 in

Faint Collapse (sunbathing in Turin), 2014, ceramic, 6 x 48 x 84 in

Faint Collapse (sunbathing in Turin), 2014, ceramic, 6 x 48 x 84 in

Maggie Wells Video, 2014, video, 5m 25sec

Foggy Self III, 2014, etched glass and mirror, 42 x 60 in

Freud Iceberg Slideshow, 2014, slide projector, slides, letterpress on paper, dimensions variable

Clear Face, 2014, brass and marble, 13 x 6 x 5 in

Ear Face, 2014, brass and marble, 13.5 x 7 x 7 in

Sad Eye Face, 2014, brass and marble, 13 x 5.5 x 5.5 in

M was a quiet man who liked his books, 2014, photogram, 5 x 7 in

L liked to work with concrete, 2014, photogram, 5 x 7 in

A for Apple, 2014, Photogram, 11.6 x 8.2 in

B for Banana, 2014, Photogram, 11.6 x 8.2 in

G for Grape, 2014, Photogram, 11.6 x 8.2 in

Everyone is Everyone (Artist), 2014, 17 part print, letterpress, silkscreen and chine collé on paper, 11.5 x 14 in

Everyone is Everyone (Visionary), 2014, 17 part print, letterpress, silkscreen and chine collé on paper, 11.5 x 14 in

Everyone is Everyone (Protector), 2014, 17 part print, letterpress, silkscreen and chine collé on paper, 11.5 x 14 in

Everyone is Everyone (Key), 2014, 17 part print, letterpress, silkscreen and chine collé on paper, 11.5 x 14 in

Everyone is Everyone, 2014, 17 framed works, letterpress, silkscreen and chine collé on paper, each at 12.5 x 16 in

Movement III (Detail), 2014, Chine Colle Print, Japanese paper, wheat paste, 180 x 72 in

Movement III, 2014, Chine Colle Print, Japanese paper, wheat paste, 180 x 72 in

Untitled, 2014, Chine-Colle on Paper, 28 x 19.5 in

Untitled, 2014, Chine-Colle on Paper, 28 x 19.5 in

Untitled, 2014, Chine-Colle on Paper, 28 x 19.5 in

Who You at Room East, Find Them, 2014, etched copper plates, 72 x 54 in

Find Them, 2014, etched copper plates, 72 x 54 in

The Built Environment, 2014, Installation with Josh Tonsfeldt’s work

Vayyyse, 2014, Ceramic with Flower Arrangement, 12 x 6 x 5 in

B was a painter and kept a bunch of objects around her studio that she could potentially paint, 2014, photogram on paper,  8 x 10 in

Install of __________. two person with Sebastian Black, 2013, dimensions variable

Vayse, 2013, ceramic + flower arrangement, 20 x 14 x 13 in

T, 2013, Cyanotype on Paper, 8 x 10 in

Ribless, 2013, ceramic with metal stand and wood base, 22.5 x 13 x 12 in

K, 2013, Cyanotype on Paper, 8 x 10 in

Low Woe Toe, 2013, ceramic with metal stand and wood base, 15.5 x 5.5 x 5.5 in

Q, 2013, Cyanotype on Paper, 8 x 10 in

The Gold Debacle, 2013, ceramic with metal stand and wood base, 13 x 6 x 6 in

F, 2013, Cyanotype on Paper, 8 x 10 in

The Audacious Escape, 2013, ceramic with metal stand and wood base, 16 x 10 x 8 in

A-Z (Q), 2013, Brass and magnets, 8 x 10 in

A-Z (F), 2013, Brass and magnets, 8 x 10 in

Untitled, 2013, Chine-Colle on Paper, 28 x 19.5 in

A-Z (D), 2013, Brass and magnets, 8 x 10 in

Ere hypocrisies or poses are in, my hymn I erase. So prose I, sir, copy here., 2013, slideshow with cyanotypes, dimensions variable.

The Let Down, 2013, ceramic with metal stand and wood base, 13.5 x 4.5 x 7 in

E, 2013, Cyanotype on Paper, 8 x 10 in

Installation of Sense and Sensibility, 2013, curated by Chris Sharp, at SpazioA, Pistoia, Italy

The Dashed Misconstrue, with fruit, 2013, ceramic, 5.75 x 10 x 2.5 in

Untitled, 2013, Chine-Colle on Paper, 28 x 19.5 in

For Jan, 2012, welded metal, 8 x 11 in

Still Life, 2012, three 16mm Short Films in collaboration with with William Santen, 16mm transferred to Digital

Still Life, 2012, three 16mm Short Films in collaboration with with William Santen, 16mm transferred to Digital

Injury – Shoulder, 2012, Ceramic, metal and pine stand, 13 x 9 x 7 in

Non-Reversing Mirror, 2012, aluminum 6061, plexiglass, monofilament, letterpress on paper, 5.9 x 5.9 in

Movement II (Detail), 2012, Chine Colle Print, Book Page, Japanese paper, wheat paste, 72 x 108 in

Movement II, 2012, Chine Colle Print, Book Page, Japanese paper, wheat paste, 72 x 108 in

Injury – Shoulder, 2012, Ceramic, metal and pine stand, 13 x 9 x 7 in

Still Life, 2012, three 16mm Short Films in collaboration with with William Santen, 16mm transferred to Digital

Protrusions—Shelf, 2012, Book Page, Black American Walnut, Nails, Glue, Dimensions Variable

Still Life with Triple Process Hair, 2012, slides, slide projector, typeset book page

Still Life with Triple Process Hair (Detail), 2012, slides, slide projector, typeset book page

Untitled, 2012, Chine-Colle on Paper, 28 x 19.5 in

Protrusions—Shelf (Detail), 2012, Book Page, Black American Walnut, Nails, Glue, Dimensions Variable

Mise-en-Abyme, 2012, whitewash on mirror, 22 x 24.5

Yves Klein Video, 2012, with typeset book page, and headphones, dimensions variable

Jean-Pierre Léaud Slideshow, 2012, slide projector, slides, typeset book page

Lack, 2011, bronze casting with book page, 3 x 3 in

Jean-Pierre Léaud Slideshow, 2012, slide projector, slides, typeset book page

Monument for Pedagogy, 2012, Wood Boxes, Chalkboard Paint, Silkscreen Ink, Chine-colle, linseed oil, glue, fake orange, Dimensions Variable

Heavy Heart, 2012, meteorite, performance

Untitled Drawing, 2012, oilstick on paper, 33 x 40 in

Drawing While Walking III, 2012, oilstick on paper, 33 x 40 in

Paper Stack II, 2012, shown at Clearing, 7000 Sheets of Red Paper, Brick