Robin Cameron
For Jan, 2012, welded metal, 8 x 11 in
Still Life, 2012, three 16mm Short Films in collaboration with with William Santen, 16mm transferred to Digital
Injury – Shoulder, 2012, Ceramic, metal and pine stand, 13 x 9 x 7 in
Non-Reversing Mirror, 2012, aluminum 6061, plexiglass, monofilament, letterpress on paper, 5.9 x 5.9 in
Movement II (Detail), 2012, Chine Colle Print, Book Page, Japanese paper, wheat paste, 72 x 108 in
Movement II, 2012, Chine Colle Print, Book Page, Japanese paper, wheat paste, 72 x 108 in
Protrusions—Shelf, 2012, Book Page, Black American Walnut, Nails, Glue, Dimensions Variable
Still Life with Triple Process Hair, 2012, slides, slide projector, typeset book page
Still Life with Triple Process Hair (Detail), 2012, slides, slide projector, typeset book page
Untitled, 2012, Chine-Colle on Paper, 28 x 19.5 in
Protrusions—Shelf (Detail), 2012, Book Page, Black American Walnut, Nails, Glue, Dimensions Variable
Mise-en-Abyme, 2012, whitewash on mirror, 22 x 24.5
Yves Klein Video, 2012, with typeset book page, and headphones, dimensions variable
Jean-Pierre Léaud Slideshow, 2012, slide projector, slides, typeset book page
Lack, 2011, bronze casting with book page, 3 x 3 in
Monument for Pedagogy, 2012, Wood Boxes, Chalkboard Paint, Silkscreen Ink, Chine-colle, linseed oil, glue, fake orange, Dimensions Variable
Heavy Heart, 2012, meteorite, performance
Untitled Drawing, 2012, oilstick on paper, 33 x 40 in
Drawing While Walking III, 2012, oilstick on paper, 33 x 40 in
Paper Stack II, 2012, shown at Clearing, 7000 Sheets of Red Paper, Brick