Author: wpadmin

Who You, I See is a book that brings together photograms of faces alongside texts the artist has written about individuals from her contact list, leaving identities anonymous by replacing names with letters. Cameron has flattened the stereotypes of people that she has come in contact with, asking the question: How well do we really know someone?

Published by Hassla and Room East, Edited and Designed by Hasla with a grant from the Ontario Arts Council.

Une Seconde Vie presents a collection of sculptures by Robin Cameron. Cameron pieces together discarded fragments of broken dish ware to create mosaic works that loosely take the shape of human organs and body parts. The first comprehensive catalogue of works, published on the occasion of her show at Lefebre et Fils in Paris in 2013.

Published by Lefebre et Fils and Room East, Designed by Project Projects.

P-R-O-C-E-S-S-E-S is a collection of short stories was published on the occasion of Cameron’s first solo show in October 2012 show at the Room East gallery in New York. The stories, each approximately a page long, have been elegantly letter-pressed onto heavy stock paper; in each, an unnamed female protagonist becomes preoccupied by the ephemeral creation and disintegration of objects and art. The events are recounted programmatically, as if to emphasize their transience, in short, intense sentences. Gradually a theme emerges. The final story, entitled “The Shelf,” is a long description of the material required to put together a new artwork – an appropriate kind of summary for Cameron’s text in general.

Published by Phant Press (Room East), Letterpress printing by John Beacham at The Brother in Elysium.

“___________.” is the email correspondence between Sebastian Black and Robin Cameron leading up to their exhibition at Bodega in Philadelphia April 5 – May 19, 2013. The aspects of Containing musings on art, poetry, language and collaboration, the book records the development of the exhibition through conversation beginning on November 14, 2012 and ending March 23, 2013.

Published by Bodega with additional text from Sam Korman and Elyse Derosia

The Book That Makes Itself exposes it’s own production through it’s content and form. By personifying the book itself, Cameron articulates her artistic practice as both the subject (The Artist), agent and author. Moving through subjective perspectives, Cameron’s studio practice and participation in Graduate studies become transformative processes documented through descriptive narratives in constant dialogue with the form and materiality of the book. A significant and exemplary contribution to the field of Artist’s Books that investigates the nature of documentation, production, aesthetics, disclosure, narrative, education and artistic practice in an authentic exoskeletal publishing project.

Self-Published, Designed By Eric Wrenn with an Essay by Kayla Guthrie.