Robin Cameron


 
P-R-O-C-E-S-S-E-S

 

A new publication of Short Stories entitled Processes
Published by Phant Press with ROOM EAST on occasion of the upcoming show opening October 28th, 2012

Available at ROOM EAST
41 Orchard Street, NY, NY 10002
212 226 7108

Edition of 200 
$20

 



POSTED ON October 02, 2012

T-R-U-T-H Edition

Art Metropole Edition

With each exhibition of the project, T-R-U-T-H is considered an edition of a book in the making - with each version arranged slightly differently than the last. On the occasion at Art Metropole’s new location in June 2012, the book installation has been further transformed into a multiple, available in an edition of 10 + 2 AP + 3 PP copies. 

 

Silver foil-stamped box, 8.13 x 6.5’’ x 1.5’’ incl. 7 full color prints, 1 mirrored mylar silkscreen print, and 9 “book pages”, all 8 x 5.9’’, and one numbered and signed certificate

Published in 2012 with the LeRoy Neiman Center for Print Studies at Columbia University and Art Metropole

 



POSTED ON September 12, 2012

Golden Section

 

The Golden Section is a mathematical sequence found in nature. Simply put the longer part divided by the smaller part is also equal to the whole length divided by the longer part. In addition it's how things are broken up in a pleasing way to the eye. There is a scientific truth to the golden section that underlies many great works but the proportion itself is rarely iconized. 

Golden Section, 2011, Tungsten Inert Gas Weld Metal, 14.75 x 9 in 

 



POSTED ON October 17, 2011

Lack

Bronze Casting 2011



POSTED ON August 25, 2011

Monument to Pedagogy



POSTED ON July 02, 2011

The Book that Makes Itself

The Book that Makes Itself

By Robin Cameron

This Book, is the culmination of many different ideas and too many discussions. The book is partial autobiography, semi-true textual impressions and a lot of internal dialogue. There are many interpretations of the title, the book as readymade, the book as character, the book as result of process. At the forefront are ideas (of process, of bookmaking, of content)— however muddled, inconsistent, messy and vulnerable they are. The writing is; meandering gestures, stab-in-the-dark looking for something that writing as a pastiche within a problematic relationship to art could suggest.

The Book is 6.5 x 8.75 in, 198 pages, Full Color, Smyth Sewn, Edition of 50

 



POSTED ON April 13, 2011

 

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All images © Robin Cameron 2013